Studio Will Kwan
- Jones, Ronald. "Will Kwan." Artforum, May 2012.
- Peckham, Robin. "Digital Politics." ArtSlant, 30 Jan 2012.
- Chappa, Kirsten. "Fire with Fire." In Common Love: Aesthetics of Becoming in Contemporary Art. Exhibition catalogue. Kaira Cabañas (ed). New York: Miriam and Ira D. Wallach Art Gallery, Columbia University, 2011, 51-63.
- Kanamitsu, Tomoko. "Letting Go of Nature." In Common Love: Aesthetics of Becoming in Contemporary Art. Exhibition catalogue. Kaira Cabañas (ed). New York: Miriam and Ira D. Wallach Art Gallery, Columbia University, 2011, 28-49.
- Roundtable discussion, "Art, Politics, and Love." In Common Love: Aesthetics of Becoming in Contemporary Art. Exhibition catalogue. Kaira Cabañas (ed). New York: Miriam and Ira D. Wallach Art Gallery, Columbia University, 2011, 94-101.
- Cho, Seon Ryeong. "Will Kwan: Displacement (With Chinese Characteristics)." In A Monumental Tour. Exhibition catalogue. Seon Ryeong Cho. Seoul: Space*C, Coreana Museum of Art, 2010, 33-34.
- Davis, Laura. “Will Kwan creates wall of burning flags at Scandinavian Hotel for Liverpool Biennial.” Liverpool Daily Post, 1 September 2010.
- Killackey, Fiona. “Will Kwan and a World of Infinite Identity.” Flux Magazine, Autumn 2010.
- Kwan, Will. “Research in Motion: An Interview with Will Kwan.” By Alissa Firth-Eagland and Johan Lundh. Yishu Journal of Contemporary Chinese Art, Volume 9, Issue 2, 2010.
- Legge, Laura. “Mining the Archive: Connecting concept and narrative in the work of Will Kwan.” Hart Beat Magazine, Volume 11, Issue 2, 2010.
- Loeffler, Frances. "Will Kwan: Flame Test, 2010." In 2010 Liverpool Biennial: Exhibition Guide. Liverpool Biennial of Contemporary Art, 2010, 68-69.
- Lowry, Glen. “Three Takes on the Dissolution of Empire: Stories from Places and Times Distantly Close.” FUSE Magazine, Volume 33, Number 2, 2010
- Pickles, Helen. “Liverpool Biennial festival - North West England.” The Telegraph, 24 Sep 2010.
- Ward, Ossian. “Liverpool Biennial 2010.” Time Out London, September 2010.
- Jager, David. “Burning Issues: Will Kwan probes recession fallout.” NOW Magazine, Volume 26, Number 16, 2009.
- Lee, Minna. “Art with a global currency.” Canadian Art online, December 2009.
- Milroy, Sara. “An artist’s alternative map of the world.” The Globe and Mail, 02 December 2009.
- Sung, Doris and Rhee, June. “Transpulsation: New Asian Imaginings.” Published in conjunction with the exhibition Transpulsation, Gales Gallery, Toronto, CA.
- Whyte, Murray. “Kwan and the culture of cash.” The Toronto Star, 15 November 2009.
- Baerwaldt, Wayne. "Remuer Ciel et Terre – Crack the Sky." In Remuer Ciel Et Terre – Crack the Sky: La Biennale De Montréal 2007. Exhibition catalogue. Montréal: Centre International d'art Contemporain de Montréal, 2007, 35, 43, 102-103.
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Will Kwan creates wall of burning flags at Scandinavian Hotel for Liverpool Biennial
Laura Davis | Liverpool Daily Post | 1 September 2010
One of Liverpool’s most prominent disused buildings has been covered in a wall of burning flags for the city’s Biennial arts festival.
Hong Kong-born artist Will Kwan has created an installation of 36 banners made from news agency photographs of flag burning protest around the world.
They hang on the front of the Scandinavian Hotel, next to Liverpool’s Chinese Arch.
Lorenzo Fusi, Biennial curator, said the art work can be read on many levels, depending on where you are viewing it.
He said: “The idea is that from a distance it will appear to be a very cosmopolitan building that is all-accepting of different nations.
“When you get closer to it, you can see the flames on the flags and closer still you realise they are photographs taken of flags actually being burnt at different times in history at different places in the world.”
Images used for the art work, called Flame Test, have been taken from the archives of Associated Press, Reuters, Agence France Presse and other news agencies.
It aims to remind us of how the representations of our most potent symbolic acts of protest, resistance and dissent are reconfigured by the media.
The Scandinavian Hotel, which has been closed since the 1980s, will be open to visitors throughout the Biennial for screenings of a series of video art.
Spanish artist Cristina Lucas’s film, Touch and Go, features local people who used to work in now redundant industries.
Alfredo Jaar, from Chile, has created a three-channel work, We Wish to Inform You that We Didn’t Know, in response to the world’s indifference to genocide.
Other abandoned locations that will feature in the Biennial include the former Rapid Hardware building, on Renshaw Street, which will be taken over by international artists.
Rapid Hardware moved to the former John Lewis building on Basnett Street, in August, 2009, and the Renshaw Street building was bought by Liverpool One developer Grosvenor later the same month.
In January, the Daily Post revealed Downing Developments and Liverpool City Council had abandoned plans to renovate the Scandinavian Hotel, which has been empty since the 1980s.
Liverpool Biennial International Festival of Contemporary Art was founded by James Moores in 1998, and is presented free to the public every two years over a 10-week period.
It runs from September 18 to November 28.